![]() ![]() Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500 – B&HĪuthor Karin Posted on SeptemSeptemCategories Cam Tech, Hardware, Innovation, Software Tags 400mbit, 400Mbps, All-I, ALL-Intra, Apple, codecs, DC-GH5, ETTR, exposure zebras, GH5, H.265, HEVC, High Efficiency Video Codec, High Sierra, Lumix G Vario 100-300mm f/4.0-5.6 II Power OIS, Lumix GH5, macOS, Panasonic, Panasonic DC-GH5, Panasonic Lumix DC-GH5, Panasonic Lumix GH5, Super 16, Super 35, transcoders, transcoding, video, video production software, zebras.Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-60mm Lens – B&H.Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 12-35mm Lens Kit – B&H. ![]() Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera with 8-18mm Lens Kit – B&H.Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera (Body Only) – B&H.DPReview – GH5 gets 10-bit HEVC Main 10 Level 6.1, NX1 still stuck at 5.1Ĭlicking on these affiliate links helps us continue our work for ‘Untitled: Stories of Creativity, Innovation, Success’.divergent media – Upgrading to High Sierra: Tips for Video Pros.divergent media – Announcing EditReady 2.1.preview and thumbnails respect pixel aspect ratio.fixes silent audio when mixing down w/ strip silent tracks enabled. ![]() adds hardware accelerated HEVC encode and decode (10.13 only).adds HEVC output format in mov (10.13 only).It can be downloaded here, or via in app auto update. ![]() On systems that support it, HEVC is even hardware accelerated, making it significantly faster.ĮditReady 2.1 is a free update for 2.0 customers. When run on 10.13 High Sierra, EditReady 2.1 adds support for encode of HEVC (H.265) videos. The release coincides with Apple’s release of macOS 10.13 High Sierra. Today we’re pleased to announce the release of EditReady 2.1. Histograms are handy and so are scopes but they are not the be-all and end-all of rapid exposure setting. The pointless killing off of Samsung’s innovative camera division left a gaping hole in current Super 35 APS-C camera offerings that Fujifilm just might, if it wishes, fill with the X-T2S or more likely the X-T3, given the abandonment of its “Ultimate $5,000+ APS-C X-Trans X-series camera” project.Īnother lesson Fujifilm needs to learn quick smart is that fast and accurate ETTR video and stills exposure demands exposure zebras, an essential feature that Fujifilm bizarrely still does not see fit to add to its cameras’ firmware. I went looking for this set-up in order to buy one but Samsung staffers in every Samsung boutique did not even know the NX1 or NX500 existed.īoth cameras’ video functionality and support for H.265 HEVC are lessons to which Fujifilm needs to pay close attention when developing its cameras’ video support. Rotten marketing and low to no availability of the camera, battery grip and lenses anywhere in the world probably doomed it and its rangefinder-style companion the NX500. The NX1 introduced HEVC H.265 along with an excellent interface and one of the best-designed, best-manufactured cameras ever. Samsung’s brilliantly innovative NX1 Super 35 APS-C hybrid camera ushered in the future of mirrorless moviemaking then Samsung suddenly killed off its camera division. H.265 HEVC was introduced into affordable media production via Samsung’s NX1 DSLR-style and NX500 rangefinder-style cameras when few computers and computer applications supported the codec but H.265’s advantages became immediately apparent and it was clear that HEVC was the way forward.Īt the time, EditReady was one of the few professional video production applications to support H.265 transcoding so I immediately bought a licence and have used it ever since. Samsung NX1 with Samsung Premium S 16-50mm f/2.0-2.8 ED OIS zoom lens. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |